Review: Potiche
“Potiche” is set in 1977 and follows the story of trophy wife, or “potiche”, Suzanne Pujol who spends her days carrying out domestic duties and making sure her rich husband is happy. However, whilst doing this, Suzanne realises she is not contented herself. Her boring life that consists of writing poetry and gardening is no longer enough. When her husband falls ill and she is left in charge of his umbrella factory, she becomes more successful than her family would have believed and, finally, realises she has more power than she has been allowed.
When Potiche begins, the audience is briefly shown Suzanne’s day-to-day activities; a quick jog, a little chat with a squirrel and then, returns to her huge house, two cars and powerful husband. It is not particularly interesting, and the first half an hour to forty minutes is rather boring. However, if you can make it, the second half is much more interesting. There are a few twists and turns, some moments that will mildly surprise you and a satisfying ending.
The best thing about Potiche is Suzanne, you can’t help but love her. Played by Catherine Deneuve, she represents everything that a woman of today should be: not afraid to stand up to her husband, wanting to achieve something great and, still, taking care of her family. On the other hand, when we learn more about her personal life, she becomes less likeable. Despite this, her determination to succeed is entirely admirable. Deneuve delivers a very good performance, and she is very believable as the, at first, submissive wife. Fabrice Luchini plays the oppressive husband and he, too, plays his part well. You will hate him for the disastrous way he treats his wife.
As a comedy, Potiche is not completely successful. There are, perhaps, a few moments that are meant to be funny, but there is nothing laugh-out-loud about this film. Potiche will probably make you wince, more than laugh, thanks to its more risqué scenes.
All this said, it is actually very nice to look at, with a vast array of colours, including a lemon coloured kitchen, and many different coloured outfits worn by Suzanne. There are many flashbacks, frequent cheesy music and a few split-screen moments that give the film a charming 70’s feel. The storyline and an interesting set of characters should be enough to keep you watching until the end.
